Narrative logic of classical linear causal chain expanded, such as Werther’s suicide, because he fell in love with a friend’s fiancee, he was unable to balance and resolve the moral conflict, he died moral trap. The modern novel narrative logic into a network, various forces are evenly matched, contend with one another stalemate. We cut off the ropes of morality, but unfortunately fell into the trap of nihilism, like the fate of the persistent danger, is doomed doomed. In this way, Nabokov with his superior full of talent, like a reclusive wizard in the Black Forest, with a raving, dreams and hallucinations woven nets, to capture his Lolita. This is a lengthy confession An unpardonable sin, the jury of the ladies, yes, the “I” shot and killed the villain, he was mercilessly abandoned my little Luo, brought her pain, “I” is in revenge for her, “I” guilty do, yes, the “I” of course guilty, an adult man’s object of desire should not be an ignorant girl, can the “I” did not rape her, “I am.” just lying on the outer edge of her warm, listen to her breathing frequency, the “I” can do “I” is the expected delay indefinitely, so that the delay in that moment forever. Small Los suddenly woke up, she suggested that she had played in a summer camp games …… In fact, this is more like a lengthy pleadings, erotic object has the statutory age range do, it is not so much a habitual sin, as it is a unique natural instinct, but also unique only in that the digital age, Nabokov set metaphors, age problem is the moral issue, whoever beyond customary cordon, those who deviate from the crowd, who is shameless dirty, poor Humbert fell into the trap numbers. If we help him put this throw away this trap, if we do not know the specific Luo age, she is still bright, delicate, clear, like yelling, a strange, childish rough, a burning Little Baby, lure, fleeing, in compliance, in revolt, suddenly away suddenly near, enigmatic be refined, subtle Nabokov, Nabokov’s Lolita, in the depths of desire surging undercurrent, concealed In the hearts of every man, is it not the sole, absolute, indelible Lolita do, oh, men’s Lolita, as the classic Lolita, she is so unique, it is so common.
However, Humbert still dirty shameless, cynical still evil, he should desire Phantom caught out from the heart, let her figurative, he wants to walk with her, has been brought down, which is determined by the Nabokov The. An honest freedom of writing, is to refuse to overripe life narrative, turning everyday morality far behind, even if it will, like ghosts to catch up to, sneak text of the jungle. Existence precedes essence, writing prior to specification.
This is precisely the problem of Nabokov, a digital ethics, as if Church? Juan had firmly put ethics into action figures, his love reflected the cumulative figures, he is also kept walking, from this Woman to woman, his life is to be exhaustive love unlimited possibilities. Obsession and adventure, very soberly consciously bear all the joy, sin and punishment, now Church? Juan addition of a new ally – Humbert, any experienced love, all threw, but outrightly pure. They did Zuigaiwansi, Humbert admits that he is a villain, but he also denied that his situation, not what people imagine, is the devil’s hell submarine patrol, but belongs to the poet’s spiritual heritage. In the nothingness of God and the life of this impulse in between, they are firmly take refuge in the latter, but this does not represent a non-namely, the ratio of one yuan choice. Heidegger believes that “God is dead”, simply means that the old God is dead, God’s throne is still available. Throne is empty, new developments have not replaced it so simple to use B instead of A, then B A is likely to suffer the same fate, nihilist most urgent for “revaluation” set a new principle, the new starting point and the conduct of land, this is what we have to look for “the most living things.” That was God, that super-sensual world, for the Church? Juan, it is a bleak emptiness of the sky, and God in silence, in a silence among the people who feel this blasphemy of God’s suffering. And the Church? Juan compared Humbert is not a passionate fighter, even though he has the ability to act more powerful modern man, he is a much more mature and more wonderful euphemism seducer in his possession, poetic temperament than revolution temperament. He endlessly indulge in fantasy, the girl’s face and legs, face, freckles, dimples, a ubiquitous elf, elves contaminated atmosphere wardrobe, room, stairs, any of those things, he can bring happiness intoxication and trembling. He used thin hairy honey rich sensory nerve, creating a small universe like perceptual world, this is Humbert’s “conduct of land”, in this, literary thinking will never walk in front of a philosophical reflection. That morning, a small Luo and her mother went out, but still has her stairs rumbling footsteps left in the lip marks on the plate, the air’s sharp laugh, a small Los leave, can be as small Luo also appeared, in another form in front of Humbert, in this sensual little universe, time can be round, space can be reconstructed. Of course, does not mean utopian fantasy, Humbert is a positive actors, is the emotional behavior and figurative world two support points, this is both elegant and gloomy, but also timid petty gentleman from the European continent, to think and to do both Its deployment was the perfect hue. All the same human body and soul, why the former has always had absolute priority and the supremacy of consciousness of innocence, and sex on guilt, sexual violence, this strange dichotomy, when we can settle. Nabokov presents this problem, this obstacle, but his characters are not so out of the crisis.
Humbert’s freedom would like to extend you the same way?
Too weak to Humbert, driving a car, the car filled with sweetheart, devouring one another a highway outside the car world constantly passing, and constantly coming. He was sober, very acutely aware Lolita grow day by day. With his small Los crisis grows height and weight, this hopeless evil journey is his choice of heaven, though heaven hellish black flames burning, in addition, are the extreme fear and let him carefully guard against enemies. A stand-alone love, the existence of a separate and secluded, away from the crowd, no one can understand such whispered softly, chatter. Humbert’s paradise is a lonely dark room, looked out from the world is absurd, ridiculous, stupid, dark room destruction is time-sensitive, and that the destruction of the world but it is a historic . Desire journey does not end, the individual’s spiritual event coming up, individual and group confrontation has only just begun, Lolita from Humbert took the road that moment on, it extends more writers in the deeper account of the, in Milan? Kundera, Margaret? Duras, and Wang Xiaobo there, questioning, the defense, the trial, soothe continues. But Nabokov is still a special case, he is more than one side of the prism, from all angles, reflected the strange light. No full access to read before we say these normal deformity he wrote a love affair, that is no longer the young man in the hunt for a very young girl, the girl is in a transitional period of teenage girls, the man strange hobby, from youth to middle age, the age does not change the original intention known. Nabokov once said that the novel is the relationship between the characters and the world of the relationship, then the relationship between Humbert and small girls what the author implies worldview. Reading this point, we superficial mentality about deformity becomes suspicious love of novelty, in the end who is sick, this is a problem. The classic original face is sick, it’s innovation makes us feel uncomfortable and even some disgust, it is beyond the ordinary range of perception and experience, both curious and exclusion, and proximity to refuse, the virus spread, the text and the reader so forming a relationship between infection and infected, we began a fascination with Humbert’s death march. No one can be like Nabokov as the desire of the flesh and the meridians amplification was so striking clarity and precision, but also enriched the connotation of desire. Scenarios in the transformation, is changing the face of desire, passion, is a fantasy, is sex (rarely), sexual awareness, despair, is looking forward to, is the memory is elegy, it is love confession, is jealous, heaven, hell, extreme selfishness, extreme ecstasy …… desire therefore possess the structural features of the text that has been buried deep inside the pale ashes were instigated, by Lolita’s face, legs, body, movement sound confused with, alone in the dark reading mixed, our true “Lolita,” Where? Intensification of contradictions, the journey continues, a never-ending exile, perhaps only Nabokov deeply understand the taste of exile.